Official name: Leaning Tower of Pisa
Nature of attraction: Freestanding bell tower (campanile)
Location: Piazza del Duomo, 56126 Pisa PI, Italy
Founded: Construction began in 1173
Architectural style: Romanesque
Main architect: Attributed to Bonanno Pisano (with later interventions by Giovanni di Simone and Tommaso Pisano)
Height: 58 meters (depends on which side you measure)
Material: White marble
Notable feature: 4-degree lean due to unstable subsoil
The Leaning Tower of Pisa is a hallmark of Romanesque architecture, a style known for its rounded arches, thick walls, and symmetrical arcades. This medieval aesthetic, dominant in 11th and 12th century Europe, is beautifully showcased in the tower’s colonnaded design—rows of elegant round arches supported by classical columns on each tier.
But it’s not just about form. The design echoes a deep religious symbolism, aligning with the spiritual ambitions of Pisa’s cathedral complex. Each of the tower’s eight stories, including the belfry, was meant to reflect heavenly harmony. The arcaded loggias, reminiscent of ancient Roman amphitheaters, offer rhythm and repetition, balancing the vertical rise with classical proportion.
Influences from Byzantine and Islamic styles are also subtly present, especially in the decorative motifs and the layering of arcades, showing Pisa’s openness to Mediterranean artistic currents, thanks to its status as a powerful maritime republic.
What sets the tower apart, however, is not just style but circumstance. The unintended tilt, caused by a shallow foundation and soft subsoil, created a visual dissonance that paradoxically enhanced its fame. Later builders adjusted subsequent levels to compensate, giving the tower its unique curved profile—a mistake turned masterpiece.
The original architect of the Leaning Tower, Bonanno Pisano began construction in 1173. A prominent Pisan sculptor, he established the tower’s elegant Romanesque style—marked by rounded arches, classical columns, and balanced proportions. He envisioned a harmonious monument to civic pride rooted in classical traditions.
Decades later, Giovanni di Simone resumed work and attempted to correct the tilt by slightly angling the upper floors. He introduced structural adjustments while preserving the original style, blending architecture with emerging engineering awareness. He adapted the design to counter structural flaws without disrupting visual rhythm.
Tommaso Pisano completed the bell chamber in the 14th century. He used lighter materials and slimmer columns, staying faithful to the Romanesque design while ensuring stability for the already leaning structure. His vision was one of restraint and refinement, aiming to finish the tower without compromising its integrity.
From a distance, the tower dazzles with its clean marble lines, open arcades, and unmistakable tilt. The symmetry of arches and columns contrasts with its lean, offering a visual paradox that both pleases and puzzles. Each gallery ring invites the eye upward, culminating in the domed belfry.
Inside, the space is strikingly hollow and spare. Unlike many bell towers filled with elaborate interiors, the Leaning Tower’s core is an open vertical shaft, rising uninterrupted from base to belfry. This vast emptiness amplifies every sound and accentuates the echo of footsteps along the stone spiral staircase that clings to the inner wall.
The tower was constructed using white marble, limestone and sandstone.
The tower's core is intentionally hollow, with a central void stretching from base to belfry. This reduced the weight bearing on the soft soil and made climbing feasible via a narrow spiral staircase built into the inner wall.
Unlike typical Romanesque bell towers, Pisa’s is cylindrical, freestanding, and features a consistent ringed arcade design across all levels. Most notably, no other Romanesque tower in Europe leans as dramatically—or as beautifully.
While primarily functional, the tower’s vertical reach and arcaded tiers reflect Pisa’s civic pride and its ambition to rival other powerful maritime republics. It was designed not just as a bell tower, but as a statement of dominance and identity.
Yes, visitors are allowed to climb the tower. There are 296 steps to the top, and the climb can be strenuous due to the tower's lean.
The tower was originally built as a bell tower for the adjacent cathedral, but it has also served other purposes throughout history, such as acting as a watchtower and a symbol of the city of Pisa.
There are seven bells in the Leaning Tower of Pisa, one for each note of the musical scale.
The tower leans at an angle of about 3.9 degrees, which is roughly equivalent to 3.9 meters (12.8 feet) off-center.